Wanhesong Qin – A Northern Song Treasure

Crafted during the Northern Song Dynasty (960–1127 CE), this qin is nearly a thousand years old. It follows the Zhongni style, named after Confucius, which was especially favored by Song Dynasty scholars. Simple, elegant, and understated, the design perfectly reflects the aesthetic taste of the literati. The qin is 128.6 centimeters in length, with a slender, well-proportioned body.

Its soundboard is made of paulownia wood and its base of catalpa wood. The instrument is coated entirely in black lacquer, making it exceptionally durable. Over the centuries, the lacquer has developed snake-belly, ice-crackle, and ox-hair crack patterns, with plum-blossom patterns visible near the head. These natural markings add to its character and charm.

The qin is further adorned with golden markers, celadon jade tuning pegs and white jade feet, all harmoniously combined to create an antique yet refined appearance.

On the underside of the qin, above the upper soundhole, are inscribed three large characters in standard script “Wan He Song” (Pines Across Ten Thousand Valleys). Flanking the soundhole, a poem in semi-cursive script reads:

"This qin possesses a tone so perfect it outshines the finest bells and chimes. Its antique grace and dignified bearing are unmatched. Many instruments may bear the same name, but you alone are the true 'Pines Across Ten Thousand Valleys' – unique and timeless."

The name "Wan He Song" is rich with imagery – "Wan He" means ten thousand valleys, and "Song" means pines. Together, they evoke the sound of wind sweeping through mountain forests – ethereal, deep, and powerful. It perfectly captures the spirit and tone of this extraordinary qin.